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  • THE ELECTRIC COMPANY

    Hey you guyyyyyssss! As the Education Director on this series, I was in the writer’s room, on set, in the edit bay and part of all things transmedia.

  • Odd Squad

    Odd Squad was my first experience being involved in the development of a show from the jump. I helped to hire writers, I created a season long curriculum bible, I was in the writer’s room for the first three months, and I was on call for any and all learning-related questions out of Toronto, day or night.

  • Rosie’s Rules

    When I was pitched the idea of a social studies show for preschoolers, I was excited to be a part of it. While social-emotional content is often the curricular backbone for the preschool audience, and when the learning is cognitive/academic, it is almost always literacy or math based. So to have the chance to create a show using the rich content of social studies was exciting.

  • Superbuns

    This was my first time working on a series based on a children’s book. The world Diane created in the book was so clear and specific and delicious, that the North Star for the show was clear from the beginning. Making characters that are both relatable and aspirational is tough. Superbuns, Rhonda, Kevin and Neville all rise to that occasion. And sound design! The right VO. The just right and just ridiculous vaudevillian SFX. Really make it sing.

  • Tinkergarten

    Truly unique quality of Tinkergarten vis-a-vi learning goalsis that the program truly teaches parents in equal measure with teaching kids. It’s baked into the formula. I had the chance to create curriculum as well as produce a ‘Tinkergarten at Home’ video series to support families when in-person classes weren’t possible.

  • Pinna

    Full disclosure: Pinna got my famiy through the pandemic intact. The library of podcasts and books is varied, age-appropriate and compelling. So I was thrilled to have the chance to help the company pivot—first from consumer to classrooms/k-12 in 2019…and then from classrooms to the ‘parent-as-teacher-in-the-living-room’ scenario.

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HIGHLIGHTS SO FAR

  • Assembling a company of one-man banana bands in Morningside Park in Upper Manhattan

  • Providing real-life scenarios from a 1st grade classroom to inspire the character of Odd Todd

  • Translating upper school social studies themes into the world of preschool

  • Thinking of how many different words rhyme with subtraction

  • Talking to groups of kids about games they play and why snot is funny

Some of it is pretty on-the-nose, explicitly teaching addition and subtraction and silent e. But if you think about great kids content—Is it good storytelling with relatable characters who have fun dialogue? Is it visually compelling with creative sound and music? Chances are it’s teaching something! Educational media!

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